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Scriabine face à Scarlatti, sous les doigts de Julius Asal. Un album empreint de cette délicatesse avec laquelle on compose un bouquet pour révérer un fantôme, voire deux. Cette distance spectrale de deux siècles qui sépare Scriabine de Scarlatti s'efface dans l'impression tenace qu'imposent les teintes quelque peu mélancoliques du rythme de cet album. La Sonate pour piano n. 1 de Scriabine est une merveille circulaire, qui trace une sorte de tournoiement triste autour de celui qui l'écoute, et dont tout le sens résonne par son quatrième et funèbre mouvement.

youtube.com/watch?v=FH_dl_UiDN

YouTubeScriabin: Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre (Prologue)Par Julius Asal - Topic
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Robert Schumann (1810-1856) – Sonate für Klavier in g-moll n.2 op.22
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https://echostreamz.com/watch?v=Ke8flof_wCg
Wilh3lm | InvidiousRobert Schumann - Piano Sonata No. 2, Op. 22Performer: Martha Argerich Audio source: https://www.youtube.com/watch?v=UjlO0ABn3vQ 1. So rasch wie möglich - Schneller - Noch schneller (As quickly as possible - Faster - FASTER STILL) 0:00 2. Andantino. Getragen (Solemn) 5:40 3. Scherzo. Sehr rasch und markiert (Very quick and marked) 10:44 4. Rondo. Presto - Prestissimo 12:17 The Piano Sonata No. 2 in G minor, Op. 22 was composed by Robert Schumann from 1830 to 1838. It was his last full-length attempt at the sonata genre, the other completed ones being the Piano Sonata No. 1 in F sharp minor (Op. 11) and the Piano Sonata No. 3 in F minor (Op. 14); he later wrote Three Piano Sonatas for the Young Op. 118. Because it was published before the F minor sonata, it was given an earlier sequence number (No. 2) but still kept its later opus number (Op. 22). This has caused confusion, and recordings of the G minor Sonata have sometimes been published as "Sonata No. 3". There was also an earlier sonata in F minor, which Schumann abandoned; this is sometimes referred to as "Sonata No. 4". Among his sonatas, this one is very frequently performed and recorded. Because of its great variety and highly virtuosic demands, it is enjoyed both by audiences and performers alike. Clara Schumann claimed to be "endlessly looking forward to the second sonata", but nevertheless Robert revised it several times. At Clara Schumann's request, the original finale, marked "Presto passionato" was replaced with a less difficult movement in 1838. Clara considered it “not too incomprehensible,” though she admitted that she would “play it if necessary, but the masses, the public, and even the connoisseurs for whom one is really writing, don’t understand it.” The Andantino of the sonata is based on Schumann's early song "Im Herbste"; Jensen describes the first movement as having "a concern with motivic structure". It is dedicated to Schumann's friend the pianist Henriette Voigt and was published in September 1839. Information from Wikipedia https://en.wikipedia.org/wiki/Piano_Sonata_No._2_(Schumann), released under Creative Commons Attribution-ShareAlike 3.0
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